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Tribeca Festival Reveals 2024 Feature Film Lineup

AMFAD: All My Friends Are Dead, (United States) – World Premiere. Slasher cinema gets a candy-coated and raucous new spin as a group of young friends staying at an Airbnb are picked off one by one by a killer whose elaborate murder set pieces are inspired by the seven deadly sins. Directed by Marcus Dunstan. Written by Josh Sims, Jessica Sarah Flaum. Produced by John Baldecci, Sarah Donnelly, Kirk Shaw. With Jade Pettyjohn, Jojo Siwa, Jennifer Ens, Ali Fumiko Whitney. A Cineverse Release.


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JoJo Siwa To Star In Horror-Thriller ‘All My Friends Are Dead’ From ‘Saw 3D’ Writer — EFM 

JoJo Siwa has signed on to star opposite Jade Pettyjohn (Little Fires Everywhere) in the horror-thriller All My Friends Are Dead from Saw 3D writer Marcus Dunstan. Film Mode has international rights on the Roundtable Entertainment production and is shopping the film at EFM. We understand that deals have already been locked in Germany and Benelux (Splendid), and the Middle East (Falcon). Casting is ongoing, and the film is set to start filming in Canada this spring, with Dunstan directing from a screenplay by writers Josh Sims and Jessica Sarah Flaum.


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A Sitcom for Accountants, by Accountants Is Better Than You’d Think

FloQast's branded-content comedy "PBC" has a surprisingly good cast, surprisingly good jokes, and perhaps most surprising: no product placement. In what seems like the ultimate bad idea for target-demo marketing, “PBC” is a branded-content comedy series about accounting that’s produced by FloQast Studios. Here’s the weird part: “PBC” is not bad. Its supporting cast includes Danny Trejo (“Machete”), Kate Flannery (“The Office”), and Pete Gardner (“Crazy Ex-Girlfriend”). It just added Cheri Oteri (“Saturday Night Live”) and Neil Flynn (“Scrubs”). You probably wouldn’t know the series’ leads, Jessica Sarah Flaum and Christian A. Pierce, but they’re talented and have a total Jim-and-Pam thing going on.


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‘Saw 3D’ Writer Marcus Dunstan To Direct ‘All My Friends Are Dead’; Jade Pettyjohn In Talks To Star & Film Mode Entertainment Launches Sales At Toronto

Marcus Dunstan, the writer of Saw 3D and Saw VI, is set to direct the horror flick All My Friends Are Dead. Film Mode Entertainment and Roundtable Entertainment will launch sales on the project at the Toronto Film Festival.

Written by Josh Sims and Jessica Sarah Flaum, the flick follows a group of close college friends who get a steal on a killer Airbnb for the biggest music festival of the year. A weekend of partying quickly takes a turn for the worse, as the group is murdered one by one. They soon discover that each one of their deaths directly corresponds to one of the seven deadly sins.


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TV NEws roundup:

FloQast Studios’ “PBC” is set to return for a second season. Starring Danny Trejo, Kate Flannery, Pete Gardner, Creed Bratton, Jessica Sarah Flaum and Christian A. Pierce, the workplace mockumentary series focuses on the accounting department of a tech startup during their year-end audit. Cheri Oteri and Neil Flynn will be joining the cast of “PBC” this season. Josh Sims, head of FloQast Studios, serves as executive producer and director on the series. Michael Gallagher serves as executive producer, director and showrunner, and Cinemand Films’ Jana Winternitz and Michael Wormser produce. Mike Whitmire, co-founder and CEO of FloQast, created the series and serves as EP as well.


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Documentary explores post-Roe v. Wade abortion access

As the country acknowledges the possibility that some states will severely curtail abortion rights — or even that a national abortion ban could eventually come into play in a Republican-led Senate — a new documentary, “Abortion: Add to Cart,” explores how telehealth technology is facilitating new routes for people seeking safe abortions. “When people talk about coat hangers and the self-managed abortions that happened pre-Roe, not many of them realize that there are more options out there now that look different from that,” said Jessica Sarah Flaum, the film’s director and producer. “The Internet and abortion pills have given us way more opportunities to to self-manage abortions. My goal is to give people that information so that if it’s a service they seek, they have the tools to access it.”


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‘Abortion: Add to Cart’ Envisions a Future for Safe Self-Managed Abortion Post-Roe

A new film about self-managed abortion with pills explains how people in the U.S. are finding abortion pills online and using them safely on their own. Accessible, informative and engaging, Abortion: Add to Cart provides a roadmap for how people can have safe abortions post-Roe—even in states that ban abortion. The film is directed by Los Angeles-based filmmaker Jessica Sarah Flaum and produced by Geneva Faye, who released it shortly after the Supreme Court draft opinion overruling constitutional abortion rights established close to fifty years ago in Roe v. Wade.


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Luiz Guzmán Joins Cast Of Jacquelyn Quinones’ Indie ‘Miles Away’

Miles Away is a dramedy produced by Quinones that explores a day in the life of a rideshare driver, with short vignettes of passengers all feeding into the story of the driver learning to deal with no money, a thankless job and a sister with mental illness.

Andre Royo (The Spectacular Now), Noel Gugliemi (The Fast and The Furious), Alberto Frezza (Station 19), Norma Maldonado (Jane the Virgin), Henri Esteve (Grown-ish), Jennifer Bartels (American Woman), Eddie Martinez (The Sinner), Jessica Sarah Flaum (The Tale), Marylin Camacho (Never and Again) and Charo Toledo (East Los High) round out the cast of the Puerto Rican filmmaker’s feature directorial debut, in which she also appears.


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Let's Scare Julie Review: One-Shot Haunted Teen Horror-thriller Will Make You Sweat

“The continuous one-take shot forces this talented young cast to improvise, synchronize fully with one another, and conjure what appears like genuine emotion; thus leading the crew to seem like a real group of teenage friends. A lack of cuts would expose the absence of chemistry, however, Johnson, May, A'zion, Sorenson, and Flaum are visibly excellent playing off one another. The performances are brilliant and real.”


Let's Scare Julie | Movie Review | Real-time Horror Film | Spoiler-free

“Johnson and Flaum really shine when the movie does get going.”

“I will happily give the cast here a lot of credit. I don’t know anybody in this movie but I thought they all did a really good job. They make the first act sort of slumber party feel really genuine and natural. You buy that these girls as people who have been friends for a very long time”


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10 Most Anticipated Horror Movies Of Fall 2020:

#7 Let’s Scare Julie

“Written and directed by Judd Cremata, Let's Scare Julie traces a gaggle of mean teenage girls who set out to frighten their shut-in neighbor by conducting a series of mortifying pranks. However, when some of the girls fail to return home from the pranks they play next door, humor turns to horror in a flash.

The film marks Cremata's feature film debut after two decades spent directing documentary television series. Also known as Let's Scare Jessica To Death, the film stars Troy Leigh-Anne Johnson, Isabel May, Odessa A'Zion, Brooke Sorensen, Jessica Sarah Flaum, and Dakota Baccelli.”


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Film News RoundUp:

“Shout! Studio has acquired North American rights to teen horror thriller “Let’s Scare Julie” from Blitz Films. Written and directed by Jud Cremata, the cast includes Troy Leigh-Anne Johnson, Isabel May, Odessa A’zion, Brooke Sorenson and Jessica Sarah Flaum.

Caroline Couret-Delègue from Film Seekers will be handling international sales for the film, beginning at the Berlin Film Festival.

‘Let’s Scare Julie’ was filmed in one uninterrupted, continuous take, on a single camera. The story follows a group of teen girls setting out to scare their reclusive new neighbor, but the prank turns to terror when some of them don’t come back.”


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How Jud Cremata pulled off a one-shot thriller with “Let’s Scare Julie”:

“The writer-director is full of praise for his young cast, which also includes Jessica Sarah Flaum (The Tale), Brooke Sorenson (Modern Family) and Odessa A’zion (Fam), as well as his dedicated crew. “It’s a great deal of trust that we all put in each other,” Cremata says. “It was like everyone’s hands were on a Ouija board, and we were all spelling out Let’s Scare Julie.”


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Is ‘The Tale’ HBO’s Most Controversial Movie Ever?

“As the film begins to sort through Fox’s memories, Dern’s character remembers herself as an adolescent (played by Jessica Sarah Flaum) on the brink of womanhood. But when she consults a photo album, she finds a flat-chested, pre-pubescent girl (played by Isabelle Nélisse) with a face still ringed by baby fat. Suddenly, the scale and depravity of the abuse is brought into sharp relief.”


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Film Review: The Tale:

​“Most effective, the retelling begins with one actress, Jessica Sarah Flaum, playing Jenny. Flaum looks closer in age to the teenage actresses who have played Lolita on screen over the years (Sue Lyon, Dominique Swain) than the 12-year-old character Vladimir Nabakov described in his novel. But then Burstyn shows adult Jennifer a photo of her taken that summer, at age 13, and Fox is forced to revise her memory, replaying the scenes with a younger actress…”


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The Tale is a Searing Investigation of Past Abuse:

“A halcyon flashback offers her memory of the affair’s origins: A tall, sprightly teenage Jenny (Jessica Sarah Flaum) arrives at her horse trainer, Mrs. G’s (Elizabeth Debicki), house in the country, where she’ll spend the summer. Jenny is struck by Mrs. G’s beauty and immediately takes an interest in her handsome boyfriend, Bill (Jason Ritter), who will also be her running coach for the upcoming months. She flashes him a smile.”


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The Tale: Film Review Sundance 2018:

”Indeed, one of Fox's most effective sleights of hand is the way she deploys two young actors in the same role played by Dern as an adult. At first, the adult Fox remembers herself as looking much older (this version played by Jessica Sarah Flaum) than she actually was at the time.”


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TV Review: Laura Dern in HBO’s The Tale:

"But “The Tale” makes that crucial moment when Jenny realizes just how young she was land hard by swiftly swapping out the older actor playing her in the initial flashbacks (Jessica Sarah Flaum) for a startlingly younger one (a heartbreaking Isabelle Nélisse). It’s a brilliant device, not least because it underlines just how warped most onscreen depictions of teenagers are when they’re so often played by actors older than their characters."